Sir William Rothenstein (1872-1945)
Provenance
Edith Hacon, née Broadbent, later Mrs William Robichaud (1875 - 1952), by 1950
Michael Parkin Fine Art, London, to Alan and Mary Hobart, July 1981
Exhibitions
London, New English Art Club, Spring 1895, no. 28
London, Tate Gallery, William Rothenstein, Memorial Exhibition, 1950, no. 11
London, Pyms Gallery, Edwardian Impressions, October - November 1981, no. 48
London, Pyms Gallery, Orpen and the Edwardian Era, November - December 1987, pp. 20-23, no. 3, illustrated
London, Barbican Art Gallery, Impressionism in Britain, January - May 1995, pp. 183-84, no. 183, illustrated: this exhibition travelled to Dublin, Hugh Lane Municipal Gallery of Modern Art, June - July 1995
Tokyo, Daimaru Museum, British Impressionism, May 1997, no. 63; this exhibition travelled to Tokushima, Modern Art Museum, May - July 1997 and Osaka, Navio Museum of Art, Osaka, September 1997
Literature
Pall Mall Gazette ‘Extra’, The Pictures of 1895, p. 124, illustrated
‘New English Art Club’, The Saturday Review, 6 April 1895, p. 506
‘New English Art Club’, London Evening Standard, 6 April 1895, p. 5
‘New English Art Club’, The Globe, 8 April 1895, p. 3
‘New English Art Club’, The Westminster Gazette, 9 April 1895, p. 2
‘New English Art Club’, The Daily Telegraph, 16 April 1895, p. 8
Kenneth McConkey, The New English, A History of the New English Art Club, London 2006, p. 79, fig. 53, illustrated
Kenneth McConkey, ‘Dark Identities, Orpen’s Hispanic Repertory’, The British Art Journal, vol VII, no. 3, p. 63, illustrated.
Kenneth McConkey, Towards the Sun, The Artist-Traveller at the Turn of the Twentieth Century, London 2021, pp. 136-7, fig. 6.5, illustrated